Books & Culture
Infinite Scroll
IRL Brain Rot and the Lure of the Labubu
In the chimerical trend that is Labubumatchadubaichocolate, nothing is ever too extra. But those who embrace the aesthetic know that the only way out is further in.
By Kyle Chayka

A Critic at Large
Did Racial Capitalism Set the Bronx on Fire?
To some, the fires lit in New York in the late seventies signalled rampant criminality; to others, rebellion. But maybe they were signs of something else entirely.
By Daniel Immerwahr
The Weekend Essay
Always Inadequate
The force of low self-esteem can feel so enormous, so unexplainable, it seems almost mythic.
By Vivian Gornick
Infinite Scroll
The Revenge of Millennial Cringe
The viral resurgence of the single “Home,” by Edward Sharpe and the Magnetic Zeros, reflects a simultaneous disgust at and attraction to an era of unabashed sincerity.
By Kyle Chayka
Books
Book Currents
Hilton Als’s Essential James Baldwin
Looking closely at a few of the legendary writer’s works.
Under Review
What We’re Reading
Our editors and critics review notable new fiction, nonfiction, and poetry.
Under Review
The Budding Rivalry of Carlos Alcaraz and Jannik Sinner
The two young champions, who met as teen-agers, are expected to face off at this year’s U.S. Open. A new book by Giri Nathan tracks their parallel ascent.
By Hua Hsu
Movies
The Current Cinema
“Splitsville” Plays Infidelity for Laughs; “A Little Prayer” Shows What’s Really at Stake
The meticulous shotmaking of Michael Angelo Covino’s film belies a dramatic staleness, whereas Angus MacLachlan orchestrates a powerfully understated catharsis.
By Justin Chang
The Front Row
“Honey Don’t!” Revives the Spirit of the Coen Brothers’ Movies
Ethan Coen, working with his wife, Tricia Cooke, endows this neo-noir comedy, about a lesbian detective, with dazzle but little more.
By Richard Brody
The Current Cinema
“My Undesirable Friends: Part I” Is a Staggering Portrait of Russian Journalists in Dissent
In Julia Loktev’s epic documentary, filmed before, during, and after Russia’s 2022 invasion of Ukraine, several courageous Moscow reporters see their worst fears realized.
By Justin Chang
The Front Row
Roman Polanski’s Self-Centered “An Officer and a Spy”
This historical drama, about efforts to clear the wrongly convicted French captain Alfred Dreyfus, brings to mind the director’s own legal troubles.
By Richard Brody
Food
The Food Scene
The Sloppy Joe Makes a Kicky Comeback
Farley’s, in Bed-Stuy, lavishes attention on an unsung icon of Americana cooking.
By Helen Rosner
The Food Scene
Three Plays on the Pancake
A masa-based version at Hellbender, a riff on soufflé at Pitt’s, and a modern-classic stack at S&P Lunch.
By Helen Rosner
On and Off the Menu
L.A.’s Food Culture, Transformed by Immigration Raids
The city is defined by street carts and family-run restaurants. ICE’s vicious campaign has prompted many venders and patrons to stay home.
By Hannah Goldfield
The Food Scene
A Young Parisian Chef’s Nouvelle Stodginess
At Le Chêne, in the West Village, a “Top Chef France” alumna cooks up chilly Gallic chicness.
By Helen Rosner

Photo Booth
The Futility of Simulating Nature
In “The Anthropocene Illusion,” the photographer Zed Nelson captures how the natural world has been reproduced, reshuffled, and repackaged, sold to visitors in the form of spectacle.
By Elizabeth Kolbert
Television
On Television
“And Just Like That . . . ,” Carrie Bradshaw Bids an Unsatisfying Farewell
The series sequel to “Sex and the City” ends with an abrupt, disappointing finale.
By Inkoo Kang
The Lede
What Happens to Public Media Now?
Republican-backed funding cuts go way beyond NPR and PBS. Radio and TV stations from Alaska to the Allegheny Mountains may never be the same.
By Oliver Whang
On Television
What the Cancellation of Stephen Colbert’s “Late Show” Means
CBS and its parent company, Paramount, have set an end date for one of the last public pipelines to some version of the truth.
By Vinson Cunningham
Critic’s Notebook
What Do Commercials About A.I. Really Promise?
If human workers don’t have to read, write, or even think, it’s unclear what’s left for them to do.
By Vinson Cunningham
The Theatre
The Theatre
A Merry and Rambunctious “Twelfth Night” in Central Park
At the newly renovated Delacorte, Saheem Ali directs a celebrity-packed production that is comically inventive but rarely stirring.
By Helen Shaw
The Theatre
A Season of Unease at the Edinburgh Festival
In this year’s offerings, the mood ranged from baffled sorrow to laughter in extremis, reflecting our unsettled times.
By Helen Shaw
The Theatre
Williams in Williamstown
Jeremy O. Harris, at his first Williamstown Theatre Festival as creative director, turns up the heat under rare works by the great Southern playwright.
By Helen Shaw
The Lede
Women Playwrights Lose the Limelight
After years of progress in diversity, many companies’ upcoming slates feature mostly, and in some cases entirely, male-writer lineups. The backslide has prompted an outcry.
By Helen Shaw
Music
Musical Events
There Is More to French Opera Than “Carmen” and “Faust”
The Bru Zane label is recording dozens of forgotten works that testify to a Romantic golden age.
By Alex Ross
Pop Music
The Sleazy, Unsettling Sounds of Mk.gee
The artist, on tour this summer, makes songs underpinned by feelings of dread and longing.
By Amanda Petrusich
Pop Music
Ryan Davis’s Junk-Drawer Heart
The artist’s album “New Threats from the Soul” is suffused with listlessness and yearning, dark jokes, and wordy disquisitions on desire.
By Amanda Petrusich
The New Yorker Radio Hour
Carrie Brownstein on a Portrait of Cat Power by Richard Avedon
The musician and “Portlandia” co-creator dissects an iconic rock-and-roll image: a 2003 photograph of Chan Marshall, better known as Cat Power, for a New Yorker profile.
With David Remnick
More in Culture
Goings On
Anthony Roth Costanzo Channels Maria Callas in “Galas”
Plus: the eclectic chaos of Haim, Trajal Harrell struts the catwalk at Park Avenue Armory, “Mamma Mia!” returns to Broadway, and more.
By Helen Shaw, Dan Stahl, Sheldon Pearce, Brian Seibert, Richard Brody, Jane Bua, Shauna Lyon, and Hua Hsu
Pop Music
The Redemption of Chance the Rapper
His new album, “Star Line,” has the difficult task of reacquainting the world with the artist after several tumultuous years.
By Brady Brickner-Wood
Second Read
The Nineteen-Thirties Novel That’s Become a Surprise Hit in the U.K.
Set in a small village in the Bavarian Alps, Sally Carson’s “Crooked Cross” presents an eerily familiar portrait of the rise of fascism.
By Rebecca Mead
Cover Story
Sergio García Sánchez and Lola Moral’s “Artist in Training”
Family time under the umbrella.
By Françoise MoulyArt by Sergio García Sánchez and Lola Moral
Books
Helen Oyeyemi’s Novel of Cognitive Dissonance
Kinga, the protagonist of “A New New Me,” has an odd affliction: there are seven of her.
By Katy Waldman
Pop Music
The Fiery Mania of Dijon’s “Baby”
The album’s frantic, unruly nature aims to communicate the madness of living with big feelings—emotions that are difficult to process and to hold to the light.
By Brady Brickner-Wood
The Current Cinema
“Highest 2 Lowest” Marks a Conservative Pivot for Spike Lee
Denzel Washington stars as a music executive who takes police matters into his own hands, in this remake of Akira Kurosawa’s 1963 kidnapping classic.
By Richard Brody
Goings On
Fall Culture Preview
What we’re watching, listening to, and doing this fall.
By Shauna Lyon, Inkoo Kang, Richard Brody, Fergus McIntosh, Sheldon Pearce, Marina Harss, Jillian Steinhauer, and Helen Shaw
Book Currents
Dan-el Padilla Peralta on Learning How to Combat Loss
The Princeton classicist shares works that informed his thinking on identity and world-building, and his book “Classicism and Other Phobias.”